This somewhat obscure, seldom-seen South American wood is typically a light to golden brown color; with large open pores, marked by prominent red vessel lines, decorating its grainy surface. Its sap can be difficult to differentiate from the heartwood. It’s heartwood color can vary from almost black to dark brown, to more medium brown tones with a reddish tint; the sap is easily distinguished by its contrasting pale yellow coloration. Elm’s heartwood colors range from a muted tan, to light to medium reddish brown. The wood has been somewhat maligned, perhaps unfairly, due to what many claim to be the toxicity of its dust (due to this, many luthiers refuse to work with it). It is the rare grain patterning of the wood for one reason or another that makes it unique and exceptional. Sustainability: This species is listed in CITES Appendix II but not on the IUCN Red List of Threatened Species; although there have been some rumblings that this status could be changing, amidst a downturn in (US) supply over the last year or so. Comments: While flatsawing the lumber can yield some quite dramatic aesthetic results, quartersawn lumber provides maximum (and sometimes much needed) stability. Along with Hickory and Oak, Ash is one of the most commonly used utility woods in the US. Grains are generally either straight or wavy, although they can be interlocked. Boards are typical found quartersawn, as European Sycamore is the lumber renowned for its preferential, and historical, use as a body wood for stringed orchestral instruments (violins, violas, etc. Across the midwest, from the 1950’s through the ’70’s, the population of Elms was decimated. Louro Preto is closely related to Bocote and Ziricote, also being a Central / South American wood whose species are in the Cordia genus. Its hues tend to be generally pastel in nature, so it makes a very complimentary, aesthetically unimposing wood for a variety of interior applications. Exotic. After the tree buds, its flowers have a simlar hourglass shape to that of tulips — earning it the other common name by which its known of “Tulip Poplar.”. Sustainability: This species is listed in CITES Appendix II, and is categorized as “Vulnerable” on the IUCN Red List of Threatened Species; part of the Dalbergia -genus worldwide exportation ban. African Paduak is a very strong, stable hardwood. Quartersawn pieces, again, provide maximum stability for this species, and their fleck figuring can be quite dramatic. Genuine Teak is one of the world’s most well-known and coveted woods. Koa, Tigerwood, Zebrawood, Teak, Purpleheart, Limba and many other woods are used as accent or top material on many custom or designer guitars. Due to the wood’s density and high oil content, it can be difficult to cut, machine and glue. Comments: Snakewood is a “first cousin” to Bloodwood, which is also a species of the Brosimum genus. The fungal residue left behind as it digs into the maple can cause discoloration throughout the wood, via the tree’s sap, in addition to the dramatically contrasting (mostly) blue and (sometimes) green trails which surround the small tunnels they chew. It is reclaimed and as a result can come with cracks, nail/screw holes. This is why it’s one of the primary woods of choice for Strats. Also akin to its American counterpart, European Beech wood is non-durable and unstable to the point of commonly experiencing movement in service. Undisturbed specimens have reached heights of 100 feet, and some have been reputed to be as old as 3500 years! Historically, an important domestic hardwood throughout Europe, Swiss Pear is known for its fine, straight grains and smooth, consistent texture, as well as its pink coloration (which naturally ranges from pale to light to medium). , Comments: In addition to furniture crafting, Cherry has been used sporadically in guitar building; its exceptional strength-to-weight ratio, stability and durability make it ideally suited for guitar neck or body wood. “The extremely low oxygen conditions of the bog protect the wood from normal decay, while the underlying peat provides acidic conditions where iron salts and other minerals react with the tannins in the wood, gradually giving it a distinct dark brown to almost black color.”. It is known for its “satiny,” highly-chatoyant finish. That said, this is actually of little concern to the tree farmers of East India, as the wood is highly coveted throughout the Indian Plate portion of Southern Asia. Vietnamese Rosewood, is one of the most dense, dimensionally stable rosewoods. Grains can be wavy, interlocked or sometimes straight; its texture is fine, with a good natural luster. Despite its toughness (and interlocked grains), it is generally not difficult to work; it glues and finishes well. Grains are straight or irregular, and knots are not uncommon. The genus is noted for its great strength, density and hardness, which, naturally, makes it harder to work and tough on cutting tools and machinery. It polishes to a smooth, fine finish, and is considered to be a very dimensionally stable wood. Its grains are generally straight (although sometimes interlocked or irregular), but its texture is coarse and uneven. The wood is fine grained, although knots and silica content can complicate what is otherwise a fairly cooperative set of working properties. Shedua turns, glues and finishes quite well. Comments: Sneezewood is considered to be one of the most durable, bug and rot resistant woods in the world, having been classified as “Imperishable” in its native South Africa. Although US importation has been sproadic, so has its demand. It turns, glues and finishes well. We stock roots, but the details we provide are for the timber. It is considered quite durable, although it can be subject to insect attack. Although Kiaat is considerably less dense (than Padauk), it has an impressive strength-to-weight ratio which (combined with its durability) makes it a very versatile, useful wood — suitable for a great variety of applications. A close cousin to Hawaii’s coveted Koa, Australian Blackwood is growing in popularity as it becomes more known in both guitar- and furniture-building circles. Finding long boards of it can be most difficult; pieces of craft-sized dimensions are more commonly found in the US. It works well — cutting, turning, gluing and finishing smoothly — although tearout with interlocked grains is not uncommon. It is still imported, although a significantly high percentage are of plantation-grown origin — which is less desirable and considered to be of inferior quality to that grown in native habitats. Comments: Louro Preto has always been greatly overshadowed by Bocote and Ziricote in terms of popularity and demand, despite being a rather handsome wood. Despite its ready availability, premium-grade boards always command high prices and remain in constant demand, worldwide. It has a texture that ranges from fine to medium, and has the impressive natural luster associated with the genus. However, Desert Ironwood (known as Palo Fierro in Spanish) is considered a protected species in Mexico due to overexploitation and diminishing natural habitat. As you would expect from any wood bearing the word “Cedar” in its name, knots are not uncommon with this wood; otherwise, it has very cooperative working traits. Sustainability: Listed in CITES Appendix II — part of the Dalbergia -genus worldwide exportation ban — and is classified as “Vulenerable” on the IUCN Red List of Threatened Species. Renown for its “landscape” or “spiderweb” grain patterns, its colors range from medium to dark shades of brown (occasionally with either a green or purplish tint), and are accentuated by intermingled bands of unpredictable, irregular black growth rings. The wood is considered to be a superb turner, and it generally works, glues and finishes well. Not unlike its Acer-genus counterparts, pieces can sometimes be dramatically figured. Its grains are generally straight (though sometimes wavy or irregular) and are accenuated by overlapping black lines which typically decorate the board’s surface. Its dark neutral color and ability to hold detail makes it very popular with wood turners and carvers, also. Comments: This is another commercially important wood to the African continent. It has a fine, even texture and a high natural luster. Its heartwood varies from a muted yellow-orange to orange to red or reddish-brown, and it slowly darkens with age. Its cooperative grain structure and moderate density give Black Walnut excellent working properties, which have made it coveted by fine furniture craftsmen for centuries. Its texture is fine and consistent, and it displays a pleasant natural luster after fine sanding. (… but who would want to stain it??)?? Scientific name: Fraxinus caroliniana Swamp ash generally used by luthiers to describe lightweight wood yielded from ash trees which are usually found in wet or swampy areas. The heartwood ranges from a muted yellow-orange to (more commonly) a deep red in color. In the SE Asian region to which it is indigenous, the wood is used in much the same fashion as Basswood. Known commonly by its nickname, “White Walnut” (a nickname which is earned, as it is a member of the true walnut genus, Juglans), Butternut is considerably lighter and less dense than its walnut (Juglans genus) compatriots; combined with its light weight and low density and hardness, it is very easy to work. Common Uses: Veneer, flooring, furniture, cabinets, trim, musical instruments and turned objects. The sapwood is a pale muted pink and is clearly demarcated. Trees are small and slow growing, contributing to its high price tag. African Blackwood African Mahogany Afrormosia Afzelia Burl Amazon Rosewood Amboyna Burl American Chestnut Angelim Pedra Anigre Aspen Bark Pocket Maple Basswood Birch Birdseye Maple Black & White Ebony Black Palm Bloodwood Bocote Bolivian Rosewood Brazilian Ebony Brown Ebony Brown Mallee Burl Bubinga Buckeye Burl Butternut Camatillo Canarywood Chakte Viga Chechen Cherry Cherry Burl Cochen Rosewood Cocobolo Cumaru Curly Cherry Curly Maple (Hard Maple) Curly Maple … While not a true (Tectona genus) teak, Zambezi Teak shares a similar stability, durability and rot resistance. Casting is an art form...and we know the art! Trees do not grow to be large (at all), so supplies are limited, and prices are generally reflective of this. Goncalo Alves is known at least as commonly by its popular nickname, “Tigerwood” — given for its orange-hued primary color, and the dark striped (black or dark brown) which often decorates its surface. (… including the IUCN!) Resultingly, it is more stable and durable — expanding the variety of potential applications for this most beautiful, useful wood. It also turns and finishes well, although certain pieces may contain varying degrees of silica, which can dull blades when cutting. It is known to be easy to work, although some examples may contain varying amounts of silica. It is a tough, versatile wood, and its renown in the wine industry dates back many centuries. Like true ebonies though, Brown Ebony is very dense and hard to work. WHAT YOU NEED TO KNOW: Tour Edge’s Exotics C721 family of metalwoods (driver, fairway woods, hybrids) employ more weight-saving carbon composite than any clubs in company history. It ranges massively in color and can have some stunning figures as a result. The wood is very stable, and has an excellent strength-to-weight ratio. With its sometimes stunning aesthetic qualities, Redheart has been a popular turning wood; it is starting to appear more frequently in custom electric guitar building (necks, fretboards, etc. Swamp Cypress is so named for its association with swamp land, with is roots often pertruding above the land or submerged into the swamp water where it grows. Common Uses: High-end furniture, veneer, musical instruments (in particular, guitars), skis, handles, and turned objects. Common Uses: Veneers, musical instruments, gun & knife handles, turned objects, and specialty items. Heart Pine is typically reclaimed old growth pine.
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